These thoughts on co-writing first appeared on my official law firm newsletter. You can subscribe to receive this occasional newsletter (or find out how to contact my office) here. I promise, it isn’t spammy!

When two writers want to work together on, for example, a screenplay, you might think all they have to do is each give their writing the best shot until they finish. Right? Well, that’s certainly a great approach, but it leaves each writer open to risk: the risk that the project will go nowhere if they later can’t come to an agreement on who to sell the screenplay to, for example. Or what if one of the writers gives up on the screenplay? Can the other writer finish it and sell it by himself? It depends. Why? Because when two or more writers intend to collaborate in the creation of one single work of authorship, they are both owners of equal, indivisible shares of the work and its copyright, per the relevant provisions of the Copyright Act.

Co-writers and other co-authors are in effect joint authors under Copyright law. And as with joint ownership of real estate, Continue reading →

Some FAQs in that respect, at the FAA’s website. There are important requirements to observe (remote pilot certification, for example).

Welcome to the blog! Also, make sure to check out my Twitter feed (which is updated way more often than the blog). Note that entertainment law is only part of my practice, but it’s also one of my favorite topics.

Dealmaking: How Disney and George Lucas Bargained Over the Star Wars Film Property (from the Program on Negotiation at Harvard Law School Daily Blog).

Plus, a little history: How Lucas acquired control of the franchise in the first place.

Don’t miss out and reserve your space now for the Third Annual Pro Bono Law Clinic for Filmmakers.  More info, here.

Brought to you by New Mexico Lawyers for the Arts and the New Mexico State Bar’s Young Lawyers Division, in association with the Albuquerque Film Office and Hotel Andaluz.